![]() The immense power of her voice is astounding, and it's just incredible that she can maintain such support and control whilst dancing so enthusiasticaly and executing challenging dance routines. ![]() It's going to be interesting to see how the synergy between all these continents will come back.With such a distinctive voice, Christina Aguilera's music is recognisable in a moment, and the chance to see the superstar perfrom is something I think that few people would pass up. “America is opening up, but over here in Europe it doesn’t feel like that’s happening any time soon,” says Vegas. But Vegas is still unsure they will be able to hold the festival, especially with the significant international crowd and vaccination issues plaguing Europe. This summer they are tentatively planning to hold the festival during the last weekend of August and first weekend of September for all who bought tickets to the canceled 2020 event. ![]() Dimitri Vegas was one of the world’s highest paid DJ- raking in $11.5 million in 2019 along with his DJ partner Like Mike-as the cofounder of Tomorrowland, which drew 80,000 fans from around the world to Belgium for two weekends of electronic music every year. This problem is particularly painful on an international scale. Currently, stadiums in New York can also resume operations at 10% capacity-a level that doesn’t nearly allow for profitability for both the arenas and artists. In New York, indoor venues are already opened at 33% capacity, and capped at 100 guests-that goes up to 150 if all all test negative for Covid-19. In California, attendees will be required to wear masks at indoor concerts when they resume. “Our space will be whatever you can dream of-whether that’s real or imaginary.”Įven after full economic reopening, concerts will look different from state-to-state and country-to-country. “The idea is having this physical space that is so fluid and physically and digitally modular that literally overnight we can completely change what the use is and what it looks like and feels like,” says Weinberg. It can also serve as a next-level afterparty spot for artists touring in Nashville by surrounding fans with imagery, smells and props the artist has hand-selected. Though the venue is not big enough to host full concerts, it can be used to bolster artist-fan interactions for extra events like merchandise popups and meet-and-greets that motivate fans to dedicate more money and attention to artists. Quist points to industry innovators like Mike Weinberg, who is opening Nightscape in Nashville, a venue with 360-degree projection mapping to immerse guests into any event. I think we’ll see a lot of innovation in the live music space happen for that reason.”Īs society reopens, artists will face major competition for fans’ dollars and time, forcing them to invest in high-level production, guest acts and surprise-and-delight show enrichments to win. “As we come out of that, it’s no surprise that a lot of the technology we were excited about during the pandemic will cross over into the real world. ![]() “We depend on technology to communicate, to Zoom, to grow businesses, to order food-to do everything,” says Blau. Now, he’s ready to begin touring again and plans to integrate NFTs into his performances. In February, he sold 33 NFTs for $11.7 million. When the Vegas-native could no longer hit the stage, he fell back onto his longtime crypto investments. DJ Justin Blau, known by his stage name 3LAU, made the bulk of his income from touring pre-pandemic. Though virtual shows are still likely to remain a temporary, pandemic-era phenomenon, some artists do think that a few recent technological innovations will be adopted by the music industry. "People are going to want higher energy shows." Adriana Arce "People are going to want to party," says Cyrus' manager, Adriana Arce.
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